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Hoa Sai Gon Orchid chuyen cung cap nhung chau Lan Ho Diep dep, chat luong. Dac biet voi cong nghe in chu doc dao va moi la tren tung canh hoa chung toi se giup ban co them mot san pham y nghia, mot mon qua than thuong ma moi nguoi co the trao gui cho nhau giup bay to tam tu tinh cam mot cach de dang nhat. Hoa Sai Gon Orchid mong muon rang se xay dung mot hinh anh Lan Ho Diep than thuong gan gui nhung van khong mat di ve dep quy phai va tinh te von co cua no. Read More »
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Even though Longo’s main form of self-expression is drawing, sculpture influences his drawing technique. His portraits have a certain chiseled line which seems to give the drawing a three-dimensional look. Longo went on to be known as a leading protagonist of the ‘Pictures Generation’. He has worked on drawing, photography, painting, sculpture, performance, and film to make provocative critiques of the anesthetizing and seductive effects of capitalism, mediatized wars, and the cult of history in the US. The first commercial gallery Metro Pictures which was established in 1980 represented Longo’s work. He gained critical acclaim in 1981 through his first solo show at the Metro, of the famous ‘Men in the Cities’ series. These portrayed men and women dressed in black-and-white, formal business attire, squirming in contorted emotion. In 1984, the gallery showcased his work, which was part sculpture, part relief, part painting. The concepts used in these were of Sergei Eisenstein’s theory of montage to juxtapose conflicting imagery and those based on work of reason, intuition, fantasy, and power. These concepts continue to be a vital form of practice for Robert Longo. Read More »
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Dai ly xe tai Hyundai, chuyen cung cap cac loai xe tai Hyundai gia tot nhat thi truong, co ban tra gop lai suat ngan hang, thu tuc don gian, giao xe ngay Read More »
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Even though Longo’s main form of self-expression is drawing, sculpture influences his drawing technique. His portraits have a certain chiseled line which seems to give the drawing a three-dimensional look. Longo went on to be known as a leading protagonist of the ‘Pictures Generation’. He has worked on drawing, photography, painting, sculpture, performance, and film to make provocative critiques of the anesthetizing and seductive effects of capitalism, mediatized wars, and the cult of history in the US. The first commercial gallery Metro Pictures which was established in 1980 represented Longo’s work. He gained critical acclaim in 1981 through his first solo show at the Metro, of the famous ‘Men in the Cities’ series. These portrayed men and women dressed in black-and-white, formal business attire, squirming in contorted emotion. In 1984, the gallery showcased his work, which was part sculpture, part relief, part painting. The concepts used in these were of Sergei Eisenstein’s theory of montage to juxtapose conflicting imagery and those based on work of reason, intuition, fantasy, and power. These concepts continue to be a vital form of practice for Robert Longo. Read More »
Discuss Bury Category: News